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  • Portrait male -- Columbus, Christopher
     
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  • Occupation -- Other
     
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  • Occupation -- Transportation
     
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  • Ethnic -- Italian
     
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  • Ethnic -- Indian
     
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  • Architecture -- Classical
     
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  • Religion -- Old Testament
     
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  • Portrait male -- Shakespeare, William
     
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  • Occupation -- Writer
     
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  • Occupation -- Writer
     
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  • Occupation -- Writer
     
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  • Ethnic -- British
     
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  • Portrait male -- Longfellow, Henry Wadsworth
     
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  • Occupation -- Education
     
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  • Portrait male -- Palestrina, Giovanni Pierluigi da
     
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  • Performing Arts -- Music
     
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  • Portrait male -- Penn, William
     
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  • Occupation -- Other
     
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  • Occupation -- Political
     
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  • Occupation -- Military
     
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  • Portrait male -- Washington, George
     
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  • Occupation -- Political
     
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  • Portrait male -- Tyndale, William
     
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  • Portrait male -- Gutenberg, Johannes
     
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  • Ethnic -- German
     
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  • Occupation -- Science
     
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  • Portrait male -- Moliere
     
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  • Ethnic -- French
     
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  • Portrait male -- Whitman, Walt
     
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  • Occupation -- Writer
     
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  • Portrait male -- Alighieri, Dante
     
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  • Outdoor Sculpture -- New Jersey -- Camden
     
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  • Mosaic
     
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  • Sculpture
     
     
    America Receiving the Gift of the Nations, (sculpture).
    Artist: 
    Nicola D'Ascenzo Studios, fabricator.
    D'Ascenzo, Nicola, 1871-1954, sculptor.
    Title: 
    America Receiving the Gift of the Nations, (sculpture).
    Dates: 
    1914-1916. Installed 1916.
    Digital Reference: 
    Image Image
    Medium: 
    American opalescent glass.
    Dimensions: 
    Approx. W. 70 ft.
    Description: 
    A mosaic frieze extending across entry facade of the Center of the Arts. The mosaic depicts thirty-six figures in composition, twenty-nine of these advance from right and left bringing their gifts and presenting them to the figure of America. America, dressed in a long flowing robe, sits and extends her arms out to her sides. On America's left stands her son, Opportunity, while on her right is her daughter, Equality. Kneeling at the feet of America are two Native Americans. Alongside the figure of Opportunity stand the cavaliers, with the figure of Christopher Columbus in the background. A little to the fore is a long procession of figures who have contributed to the upbuilding of western civilization. First in this group is Greece who holds the model of a temple in her hand, typifying classical architecture. Rome is next in line carrying the standard and fasces. The moral law is represented by the figure of Moses bearing in his hands the tablets of the Ten Commandments. Arabia advances with an abacus representing mathematics. Raphael, with his famous painting "The Sistine Madonna," is the next figure in this group. He is followed by Michelangelo. Both of these figures represent the painting, sculpture, and architecture of the Renaissance. In the right wing of the frieze three more figures advance -- Shakespeare, representing English literature; Longfellow, poetry; and Palestrina, church music.
    Standing beside America's daughter Equality is William Penn with a group of Quakers. This group represents religious freedom. The figure of George Washington stands in the background. On the right side of America, the procession is made up of the bearers of gifts from the Orient. The first to come, bringing her gift of a vase, representative of the ceramic arts, is Japan. Persia offers a gift which suggests the perfection of textiles and weaving. A figure from Babylonia brings her contribution of the basic principles of building construction. India is the last figure from the East. England is represented by the figure of William Tyndale, bearing in his hand a copy of his translation of the Bible. From Germany comes Johannes Gutenberg and his moveable type. Moliere, the master of comedy; Walt Whitman, representative of democratic thought in literature, and Dante, representing epic poetry, are the three figures in the left wing of the frieze.
    Subject: 
    Figure group
    Allegory -- Place -- America
    Allegory -- Place -- Greece
    Allegory -- Place -- Rome
    Allegory -- Place -- Arabia
    Allegory -- Place -- Japan
    Allegory -- Place -- Persia
    Allegory -- Place -- Babylonia
    Allegory -- Place -- India
    Allegory -- Place -- England
    Allegory -- Place -- Germany
    Portrait male -- Columbus, Christopher -- Full length
    Occupation -- Other -- Explorer
    Occupation -- Transportation -- Navigator
    Ethnic -- Italian
    Ethnic -- Indian
    Architecture -- Classical -- Temple
    Religion -- Old Testament -- Moses
    Religion -- Old Testament -- Ten Commandments
    Portrait male -- Sanzio, Raphael -- Full length
    Portrait male -- Buonarroti, Michelangelo -- Full length
    Occupation -- Art -- Painter
    Occupation -- Art -- Sculptor
    Portrait male -- Shakespeare, William -- Full length
    Occupation -- Writer -- Poet
    Occupation -- Writer -- Playwright
    Occupation -- Writer -- Dramatist
    Ethnic -- British
    Portrait male -- Longfellow, Henry Wadsworth -- Full length
    Occupation -- Education -- Teacher
    Portrait male -- Palestrina, Giovanni Pierluigi da -- Full length
    Performing Arts -- Music -- Composer
    Portrait male -- Penn, William -- Full length
    Occupation -- Other -- Colonizer
    Occupation -- Political -- Statesman
    Occupation -- Military -- Admiral
    Portrait male -- Washington, George -- Full length
    Occupation -- Political -- President
    Portrait male -- Tyndale, William -- Full length
    Portrait male -- Gutenberg, Johannes -- Full length
    Ethnic -- German
    Occupation -- Science -- Inventor
    Portrait male -- Moliere -- Full length
    Ethnic -- French
    Portrait male -- Whitman, Walt -- Full length
    Occupation -- Writer -- Journalist
    Portrait male -- Alighieri, Dante -- Full length
    Object Type: 
    Outdoor Sculpture -- New Jersey -- Camden
    Mosaic
    Architectural component
    Sculpture
    Owner: 
    Rutgers University, Whitman Center for the Arts, 2nd & Cooper Streets, Camden, New Jersey 08102
    Remarks: 
    Presented to the then, Cooper Branch Library, by Eldridge R. Johnson, founder and former president of the Victor Talking Machine Company, now RCA Mr. Johnson donated money to build the library and funded the frieze, which is comprised of over 100,000 pieces of glass.
    References: 
    Save Outdoor Sculpture, New Jersey survey, 1995.
    Illustration: 
    Image on file.
    Note: 
    The information provided about this artwork was compiled as part of the Smithsonian American Art Museum's Inventories of American Painting and Sculpture database, designed to provide descriptive and location information on artworks by American artists in public and private collections worldwide.
    Repository: 
    Inventories of American Painting and Sculpture, Smithsonian American Art Museum, P.O. Box 37012, MRC 970, Washington, D.C. 20013-7012
    Control Number: 
    IAS NJ000246
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    Smithsonian AmericanArt MuseumControl Number 
    Inventory of American SculptureNJ000246Add Copy to MyList

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