Soliloquy on the Origin of Aboriginal Abstractions, (sculpture).

Soliloquy on the Origin of Aboriginal Abstractions, (sculpture).

Jackson, JD, sculptor.

Fessler, Robert, architect.

Soliloquy on the Origin of Aboriginal Abstractions, (sculpture).

Digital Reference:

Poured aggregate concrete.

Approx. 26 x 26 x 18 ft.

JD JACKSON 1976 signed

"Abstract primal forms and shapes, derived and improvised from Aboriginal cultures, i.e. Australia, Africa, South America, New Guinea, Central America, etc., to develop a post-modern motif that speaks to the origins of our melting pot American society/civilization."

Outdoor Sculpture -- Ohio -- Toledo

Administered by City of Toledo, Arts Commission of Greater Toledo, 2201 Ottawa Parkway Drive, Toledo, Ohio 43606

Located Frederick Douglass Community Center, Indiana & Hawley Streets, Toledo, Ohio

Formerly located Southwest Neighborhood Facilities Building, Indiana & Hawley Streets, Toledo, Ohio

The mural was commissioned by the Toledo American Bicentennial Commission. At the time of the commission, the Frederick Douglass Community Center was known as the Southwest Neighborhood Facilities Building.

Jackson, J. D., 1999.

The Blade (Toledo, OH), Dec. 11, 1975, pg. 1.

The information provided about this artwork was compiled as part of the Smithsonian American Art Museum's Inventories of American Painting and Sculpture database, designed to provide descriptive and location information on artworks by American artists in public and private collections worldwide.

Inventories of American Painting and Sculpture, Smithsonian American Art Museum, P.O. Box 37012, MRC 970, Washington, D.C. 20013-7012

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