Login
My List - 0
Help
Search
Search Images
About
Keyword
Browse
Combined
Highlights
Search History
All Catalogs
Search:
Artist Browse
Title Browse
Subject Browse
Object Type Browse
Owner Browse
Refine Search
Return to results
> You are only searching:
Art Inventories
More Smithsonian Searches
Who else has...
Ruth, John D., Rev.,
Religion -- Old Testament
Religion -- Old Testament
Religion -- New Testament
Religion -- Old Testament
Religion -- Old Testament
Religion -- Old Testament
Religion -- Old Testament
Religion -- Old Testament
Landscape -- Egypt
Landscape -- Assyria
Landscape -- Babylon
Landscape -- Persia
Landscape -- Italy
Religion -- New Testament
Emblem -- Cross
Architecture -- Castle
Allegory -- Religion
Religion -- New Testament
Animal -- Sheep
Religion -- Saint
Religion -- New Testament
Animal -- Donkey
Object -- Other
Architecture -- Domestic
Animal -- Camel
Animal -- Llama
Architecture -- Civic
Outdoor Sculpture -- Georgia -- Woodville
Folk
Sculpture
Bible Garden, (sculpture).
Artist:
Ruth, John D., Rev., sculptor.
Title:
Bible Garden, (sculpture).
Dates:
Begun 1954.
Digital Reference:
Medium:
Painted cement, concrete, wood, limestone, granite, pebble, rock, papier-mache and vinyl, tar paper, brick, metal, wire mesh, glass, and found objects (including chain, cans, light bulbs, Christmas lights, hose, ladder, and nails).
Inscription:
Rev. John Ruth signed
Description:
A folk art installation consisting of eleven sections that illustrate religious themes. The sections are: 1)Bible Stories; 2)World Powers; 3)Apostles; 4)The Cross; 5)Church History; 6)Jesus the Shepherd and His Flock; 7)Joseph, Mary, a Donkey and Lamb; 8)Five-Pointed Star Honoring the Davison Sisters; 9)The Globe; 10)Small House with Camels; and 11)Front Entrance with Sign and Llama. The sculptures in each section are made from an assortment of media and found objects, many of which are painted.
The Bible Stories section consists of fifteen individual pieces: "Creation of the World" (six wood panel paintings); an untitled piece depicts a male and female figure lying on the ground, perhaps Adam and Eve, (limestone and concrete); "Noah's Ark" (wood and wire mesh encased in painted concrete with ceramic animals and a painted wood rainbow); "Tower of Babel" (large rocks encased in concrete); and the follow pieces created with painted pebble and concrete slab
--
"Cain and Able," "Abraham," "Fall of Sodom and Gamorah," ("Hagar and Ishmael" missing from installation), "Testing of Abraham," ("Rebekah at the Well" missing from installation), "The Stolen Blessing," "Joseph and His Brethren," and two pieces that could not be identified because the title panels are missing.
The World Powers section contains paintings of Egypt, Assyria, Babylon,
Persia
, and Rome created on pebble and concrete slabs, although Egypt also contains wood, stone, cement, tar paper, chain, cans, and lightbulbs. The Cross is created with painted concrete blocks. The Church History section contains a wood panel painting of a Medieval castle representing the second period of church history and a hole with a ladder inside representing Hell. The Shepherd with His Flock section contains wood panel paintings of the Last Supper and Jesus Praying, and a concrete sculpture of Jesus Holding a Lamb.
The Joseph, Mary, Donkey, Lambs, and Sign of Purpose section contains a painted wood panel of The Boy Jesus Talking with Doctors of the Law, and sculptures of Joseph and Mary, a donkey, and two lambs, and a sign representing the Holy Trinity. The Five-Pointed Star Honoring Davison Sisters section contains a twenty foot granite and concrete star with granite markers on each point inscribed with the names --Annie, Sarah, Ellan, Ida, and Alene. The Globe is created with blue vinyl. The Small House with Camels section contains, a fence made of can lids, a wood, metal mesh, and glass house, and three papier-mache camels. The Front Yard section contains an entrance sign, a papier-mache llama, and paintings of Washington, D.C.
Subject:
Religion
--
Old Testament
--
Genesis
Religion
--
Old Testament
--
Abel
Religion
--
New Testament
--
Cain
Religion
--
Old Testament
--
Noah
Religion
--
Old Testament
--
Tower of Babel
Religion
--
Old Testament
--
Abraham
Religion
--
Old Testament
--
Sodom and Gomorrah
Religion
--
Old Testament
--
Rebecca
Landscape
--
Egypt
Landscape
--
Assyria
Landscape
--
Babylon
Landscape
--
Persia
Landscape
--
Italy
--
Rome
Religion
--
New Testament
--
Disciples
Emblem
--
Cross
Architecture
--
Castle
Allegory
--
Religion
--
Hell
Religion
--
New Testament
--
Christ
Animal
--
Sheep
Religion
--
Saint
--
St. Joseph
Religion
--
New Testament
--
Mary
Animal
--
Donkey
Object
--
Other
--
Globe
Architecture
--
Domestic
--
House
Animal
--
Camel
Animal
--
Llama
Architecture
--
Civic
--
U.S. Capitol
Object Type:
Outdoor Sculpture
--
Georgia
--
Woodville
Folk
Sculpture
Owner:
Ruth, John D., Route 77, Woodville, Georgia 30669
Remarks:
The Bible Garden was started in 1954 by Reverend John D. Ruth after he had a vision of God. Since this time, he has devoted his life to teaching people religion through the "Bible Garden." The land for the garden was donated to the artist by the five Davison sisters, whose father was a close friend of the Reverend. Signs throughout the grounds contain many words, stories, titles, directions, narratives, and histories.
References:
Save Outdoor Sculpture, Georgia survey, 1994.
Illustration:
Image on file.
Note:
The information provided about this artwork was compiled as part of the Smithsonian American Art Museum's Inventories of American Painting and Sculpture database, designed to provide descriptive and location information on artworks by American artists in public and private collections worldwide.
Repository:
Inventories of American Painting and Sculpture, Smithsonian American Art Museum, P.O. Box 37012, MRC 970, Washington, D.C. 20013-7012
Control Number:
IAS GA000608
Copy/Holding information
Smithsonian AmericanArt Museum
Control Number
Inventory of American Sculpture
GA000608
Add Copy to MyList
Format:
HTML
Plain text
Delimited
Subject:
Email to:
Horizon Information Portal 3.25_9382
About
| © 2020 Smithsonian |
Terms of Use
|
Privacy
|
Contact