Memorial to Robert Gould Shaw, (sculpture).

Memorial to Robert Gould Shaw, (sculpture).

Saint-Gaudens, Augustus, 1848-1907, sculptor.

McKim, Charles Follen, 1847-1909, architect.

Gorham Manufacturing Company, founder.

Memorial to Robert Gould Shaw, (sculpture).

Shaw Memorial, (sculpture).

Memorial to Colonel Robert Gould Shaw & the 54th Massachusetts Regiment, (sculpture).

Commissioned 1884. 1884-1897. Dedicated May 31, 1897.

Digital Reference:

Relief: bronze; Frame and base: Tennessee marble and granite.

Overall: approx. H. 11 ft. x W. 14 ft. (13.35 m. x 4.27 m).

(On face of relief:) OMNIA RELINQVIT/SEVARE REMPVBLICAM

(On pedestal under the relief, lines from James Russell Lowell's poem "Memoriae Positum":) Right in the van of the red rampart's slippery swell with heart that beat a charge he fell forward as fits a man: but the high soul burns on to light men's feet where death for nobel ends makes dying sweet.

(Carved on back of monument, 1894 text by Charles W. Norton:) The White Officers taking life and honor in their hands cast in their lot with men of a despised race unproven in war and risked death as inciters of servile insurrection if taken prisoners besides encountering all the common perils of camp march and battle. The Black rank and file volunteered when disaster clouded the Union Cause. Served without pay for eighteen months till given that of white troops. Faced threatened enslavement if captured. Were brave in action. Patient under heavy and dangerous labors. And cheerful amid hardships and privations. Together they gave to the Nation and the World undying proof that Americans of African descent possess the pride, courage and devotion of the patriot soldier. One hundred and eighty thousand such Americans enlisted under the Union Flag in MDCCCLXIII-MDCCCLXV. signed

A high relief depicting Colonel Robert Gould Shaw and 16 members the 54th Massachusetts Regiment (one of the first African-American units to serve in the Civil War). They are preceded by a drummer boy. Colonel Shaw sits atop a horse, flanked by ranks of marching soldiers holding rifles over their shoulders. Colonel Shaw is dressed in campaign uniform and holds a sword in his proper right hand. An allegorical female figure hovers above them, holding a laurel or olive branch, and poppies (symbolic of death, sleep, remembrance and victory). An arched ceiling above the figures, decorated with coffers that each hold a star, is part of an elaborate stone frame enclosing the front and back of the bronze sculpture. The monument includes benches on both sides.

On the back of the monument is text composed by Charles W. Eliot in June 1894. There are also wreaths surrounding names of the white officers killed in action. Names of the 62 African-American enlisted casualties were not added until 1982.

Portrait male -- Shaw, Robert Gould -- Full length

Occupation -- Military -- Colonel

Religion -- Angel

Ethnic -- African American

Literature -- Lowell, -- Memoriae Positum

Literature -- Norton,

Object -- Flower -- Poppy

Outdoor Sculpture -- Massachusetts -- Boston

Administered by City of Boston, Boston, Massachusetts

Located Boston Common, Near corner of Beacon & Park Streets, Across from main entrance to State House, Boston, Massachusetts

In 1865, Joshua B. Smith, an African-American businessman, led the drive to erect a monument in Boston. A committee of 21 was formed, but the project was delayed until the early 1880s. By the end of 1883, Saint-Gaudens had produced several clay models, and on Feb. 23, 1884, a contract was signed to produce a bronze relief. The monument was cast by Gorham Manufacturing Company and the architectural setting was designed by Charles F. McKim. The memorial was dedicated May 31, 1897, with addresses by Governor Wolcott of Massachusetts, Professor William James of Harvard, and African-American leader Booker T. Washington.

The memorial cost approximately $22,000; the terrace setting an additional $20,000. The sculpture was funded by private contributions; the terrace and landscaping financed by the State of Massachusetts. The sculpture is located across from the main entrance to the State House, past which the 54th regiment marched on May 28, 1863 as it embarked for South Carolina. It was at this spot, that Colonel Shaw reportedly paused to raise his sword to John Albion Andrew, governor of Massachusetts, who saluted him from the State House steps.

IAS files contain related excerpt from "Public Sculpture: America's Legacy," Washington, DC: Smithsonian Institution, National Museum of American Art, 1994. For related reading see Richard Benson, "Lay This Laurel," New York: Eakins Press Foundation, 1973.

In 1981-1984, a major restoration of the monument was undertaken through subscription of funds by the Committee to Save the Shaw Memorial. IAS files contain additional bibliographic citations and text of nearby plaques which give history of the monument and brief biography of Saint-Gaudens.

Save Outdoor Sculpture, Massachusetts survey, 1997.

Index of American Sculpture, University of Delaware, 1985.

Carlock, Marty, "A Guide to Public Art in Greater Boston, from Newburyport to Plymouth," Boston: Harvard Common Press, rev. ed., c. 1993, pg. 35-36.

Dupre, Judith, "Monuments: America's History in Art and Memory," New York, NY: Random House, Inc., 2007, pg. 80-85.

Tolles, Thayer, "Augustus Saint-Gaudens in the Metropolitan Museum of Art," New York: NY: Metropolitan Museum of Art, 2009, pg. 36.

Greenthal, Kathryn, "Augustus Saint-Gaudens: Master Sculptor," New York, NY: Metropolitan Museum of Art, 1985, pg. 25 and 144.

Greenthal, Kathryn, "Augustus Saint-Gaudens: Master Sculptor," New York, NY: Metropolitan Museum of Art, 1985, pg. 25 and 144-151.

Dupre, Judith, "Monuments: America's History in Art and Memory," New York, NY: Random House, Inc., 2007, pg. 83 and 85.

Tolles, Thayer, "Augustus Saint-Gaudens in the Metropolitan Museum of Art," New York: NY: Metropolitan Museum of Art, 2009, pg. 36.

For model see: 76007841.

For model see: 76007834.

The information provided about this artwork was compiled as part of the Smithsonian American Art Museum's Inventories of American Painting and Sculpture database, designed to provide descriptive and location information on artworks by American artists in public and private collections worldwide.

Inventories of American Painting and Sculpture, Smithsonian American Art Museum, P.O. Box 37012, MRC 970, Washington, D.C. 20013-7012

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