Search 
 Search Images 
 About 
   
KeywordBrowseCombinedHighlightsSearch HistoryAll Catalogs
Search:    Refine Search  Return to results
> You are only searching: Art Inventories
More Smithsonian Searches
 
 Who else has...
 
  •  
  • Buberl, Caspar,
     
  •  
  • Meigs, Montgomery Cunningham,
     
  •  
  • Boston Terra Cotta Company,
     
  •  
  • Figure group
     
  •  
  • History -- United States
     
  •  
  • Equestrian
     
  •  
  • Occupation -- Military
     
  •  
  • Occupation -- Military
     
  •  
  • Architecture -- Vehicle
     
  •  
  • Architecture -- Boat
     
  •  
  • Object -- Weapon
     
  •  
  • Allegory -- Quality
     
  •  
  • Allegory -- Quality
     
  •  
  • Allegory -- Civic
     
  •  
  • Allegory -- Civic
     
  •  
  • Mythology -- Classical
     
  •  
  • Mythology -- Classical
     
  •  
  • Outdoor Sculpture -- District of Columbia -- Washington
     
  •  
  • Relief
     
  •  
  • Architectural component
     
  •  
  • Sculpture
     
     
    Pension Building Frieze, (sculpture).
    Artist: 
    Buberl, Caspar, 1834-1899, sculptor.
    Meigs, Montgomery Cunningham, 1816-1892, sculptor.
    Boston Terra Cotta Company, fabricator.
    Title: 
    Pension Building Frieze, (sculpture).
    Other Titles: 
    United States Soldiers and Sailors of the Civil War, (sculpture).
    Dates: 
    1882. Cast 1883.
    Digital Reference: 
    Image Image Image
    Medium: 
    Relief frieze: terra cotta.
    Dimensions: 
    Relief frieze: approx. H. 3 ft. D. 4 in. L. 1,200 ft.
    Description: 
    The buff-colored relief frieze which circles the building just above the first floor windows is composed of two to four feet long terra cotta panels. The running frieze depicts Civil War soldiers and sailors marching, riding horses, driving wagons, rowing boats, and pulling artillery. The portions of the frieze over the entrance arches on each side of the building reflect the themes of each entrance arch --the Gate of Invalids on the north, the Gate of the Quartermaster on the west, the Gate of the Infantry on the south, and the gate of the Navy on the east. Allegorical figures in the spandrels of the entrance arches symbolize Peace through figures of Justice on the north, Truth on the south and War through figures of Mars on the east and Minerva on the west. There are two smaller friezes ringing the building, one depicting alternating upright cannons and exploding cannon balls appears above the third floor windows and one depicting crossed swords, stars, and cannon balls runs around the building above the second floor windows.
    Subject: 
    Figure group
    History -- United States -- Civil War
    Equestrian
    Occupation -- Military -- Soldier
    Occupation -- Military -- Sailor
    Architecture -- Vehicle -- Wagon
    Architecture -- Boat
    Object -- Weapon -- Cannon
    Allegory -- Quality -- Justice
    Allegory -- Quality -- Truth
    Allegory -- Civic -- Peace
    Allegory -- Civic -- War
    Mythology -- Classical -- Mars
    Mythology -- Classical -- Minerva
    Object Type: 
    Outdoor Sculpture -- District of Columbia -- Washington
    Relief
    Architectural component
    Sculpture
    Owner: 
    Administered by United States General Services Administration, Washington, District of Columbia
    Located National Building Museum, 401 F Street, N.W., Washington, District of Columbia
    Remarks: 
    Meigs designed the Pension Building in 1882 based on the sixteenth century Palazzo Farnese in Rome. IAS files contain a copy of a booklet, Lyons, Linda Brody, "A Handbook to the Pension Building Home of the National Building Museum," Washington, DC: National Building Museum, 1993, which describes the construction of the Pension Building and the friezes in great detail. The image in the Goode publication is a detail shot of the Gate of the Quartermaster portion of the frieze on the west side of the building.
    References: 
    Save Outdoor Sculpture, District of Columbia survey, 1993.
    Goode, James M., "The Outdoor Sculpture of Washington, D.C., A Comprehensive Historical Guide," Washington, D.C.: Smithsonian Institution Press, 1974, pg. 231.
    Michael Richman, SAAM curatorial assistant, 1967-1969.
    Illustration: 
    Image on file.
    Goode, James M., "The Outdoor Sculpture of Washington, D.C., A Comprehensive Historical Guide," Washington, D.C.: Smithsonian Institution Press, 1974, F-10.
    Note: 
    The information provided about this artwork was compiled as part of the Smithsonian American Art Museum's Inventories of American Painting and Sculpture database, designed to provide descriptive and location information on artworks by American artists in public and private collections worldwide.
    Repository: 
    Inventories of American Painting and Sculpture, Smithsonian American Art Museum, P.O. Box 37012, MRC 970, Washington, D.C. 20013-7012
    Control Number: 
    IAS DC000220
    Add to my list 
    Copy/Holding information
    Smithsonian AmericanArt MuseumControl Number 
    Inventory of American SculptureDC000220Add Copy to MyList

    Format:HTMLPlain textDelimited
    Subject: 
    Email to:


    Horizon Information Portal 3.0
     Powered by SirsiDynix
    About | © 2020 Smithsonian | Terms of Use | Privacy | Contact
    SIRIS - Smithsonian Institution Research Information System